Weyes Blood: And in the Darkness - Second instalment of ambitious concept

Natalie Mering is floundering in despondency

the mitigating commonality of her voice some way or another causes

The American performer's fourth collection follows her 2019 

Titanic Rising, which had a free idea of seeing inevitable disaster.

This, the second, is saturated with a feeling of wading 

It's been a long bizarre year, everybody said 

they lost what they assumed they had/We lost our voices"