Weyes Blood: And in the Darkness - Second instalment of ambitious concept
Natalie Mering is floundering in despondency
the mitigating commonality of her voice some way or another causes
The American performer's fourth collection follows her 2019
Titanic Rising, which had a free idea of seeing inevitable disaster.
This, the second, is saturated with a feeling of wading
It's been a long bizarre year, everybody said
they lost what they assumed they had/We lost our voices"